- I get up around five-ish, unable to sleep. The dogs aren’t even up yet, and I toy with the notion of waking ‘em up just to show ‘em how it feels. But figuring that since they’re dogs, the irony would be lost on ‘em, I instead head to my office and put an anniversary post up for Jen, then check email.
- The security system, in it’s Hal-like tone, says “Front Entry Door”, so I look out my balcony to see Chay shuffling off. I call down to her to ask if Harley’s awake yet and Chay whisper-shouts up that she’s still sleeping. I tell her goodbye, and go back to checking email. Mom has sent me an iTunes Gift Certificate for the anniversary, which I redeem (she’d already sent Jen wine last week for the anniversary).
- Harley shows up in our room around 7:30. I let her in and send her to Jen, who wakes up and shuffles to my office to wish me a Happy Anniversary, first verbally then with a smooch.
- I get dressed and drop Harley off at school. Jen opted again Coffee Bean or McDonalds, so I head right back home afterwards. On my way past the library, I snag “Phantom Menace” and “Attack of the Clones” and bring them to our room. Jen gives them the nod and I throw my woobs back on, climb onto the bed with my computer while Jen rides the couch with hers, and we start our pre-”Sith” film festival.
- With pauses to answer the door (Fed-Ex, the mail delivery, flowers from Byron and Gail, a muffin basket from my Brother and Jerry), the phone (Scott, Raskind, Tony and sundry other well-wishers), and to chat with Mewes (who brought Jen some Coffee Bean and Baja Fresh), we get done with the flicks around 2:30. Jen’s now completely refreshed on pre-”New Hope” “Star Wars” and ready for “Sith”. She jumps in the shower, and when she’s done, I follow suit.
- While I dry off, I check email, and find one from Tony that sort of disputes the second printing of “Silent Bob Speaks”. I call him to find out what he’s heard, and then we get Kristin Powers on the phone and go over it until it’s very clear that we have, indeed, moved to a second printing. During that call, Jen heads off to pick Harley up.
- When Jen gets back with Harley, I get dressed. The idea is to leave around five-ish, and it’s now four-ish. Chay’s gonna babysit, but she’s with Ben ’til five, so Mewes is gonna play Nanny in the interim. As we depart, he takes Harley upstairs to either swim or play the new “Star Wars” lightsaber game.
- Jen and I head over to the Fox lot and talk about marital fidelity in regards to some friends of ours the whole ride. When we pull onto the lot, we can see a party getting underway on the same street where they had the “Daredevil” premiere party years back. As the security guard gives us our drive-on, I ask what the shindig is, and she replies that it’s to celebrate the 350th episode of “The Simpsons”. I silently lament to myself that I won’t be able to fall asleep to a TiVo’ed version of this party as we head to the parking structure.
- Hand-in-hand, Jen and I search for the Zanuck Theater. We get there a half hour before the 6:30 start time, check in, then head back outside to chit-chat while Jen smokes. I love talking to Schwalbach. I can have endless conversations with her – which might have a lot to do with why I married her. After three cigarettes, we head inside to get seats.
- There are about 35 people tops in the 400-seater. We’re told the screening’s being held for some marketing folks who are still in a meeting, so the flick begins a half-hour late. Jen and I spend the time talking about the upcoming schedule. Finally, the latecomers arrive, and the movie starts.
- First off, never… never… see a movie as geeky-cool and momentous as “Revenge of the Sith” with a room full of marketing stiffs. While I “WOOOOOOOOOOOOO-HOOOOOOOOOOOO!!!!”ed throughout the screening at stuff only the most moribund wouldn’t be able to muster the enthusiasm to scream over, I stood alone. The only tepid interactive acknowledgment this sad little group could muster was a perfunctory smattering of near-golf claps for the Fox logo at the head of the film – and even that felt forced (pun intended). But fuck ‘em – their disturbing lack of faith couldn’t ruin this movie for me.
You’ve been warned…
- “Revenge of the Sith” is, quite simply, fucking awesome. This is the “Star Wars” prequel the haters have been bitching for since “Menace” came out, and if they don’t cop to that when they finally see it, they’re lying. As dark as “Empire” was, this movie goes a thousand times darker – from the triggering of Order 66 (which has all the Shock Troopers turning on the Jedi Knights they’ve been fighting beside throughout the Clone Wars and gunning them down), to the jaw-dropping Anakin/Obi Wan fight on Mustafar (where – after cutting his legs and arm off, Ben leaves Skywalker burning alive on the shores of a lava river, with Anakin spitting venomous sentiments at his departing mentor), this flick is so satisfyingly tragic, you’ll think you’re watching “Othello” or “Hamlet”.
I saw a gorgeous digitally projected version of the flick, and lemme tell ya’: this is a beautiful looking film. The opening space battle sequence is the best in any of the six “Star Wars” movies. Grievous and Kenobi’s lightsaber duel is bad-ass, with Grievous rocking four sabers. The Clone Wars end rather early in the flick (about the halfway point), leaving the rest of the film to concentrate on Anakin’s turn to the Dark Side, and the resulting slaughter of the Jedi.
Perfect example of how dark shit gets: remember the Younglings – the kid Jedis in training from “Clones”? As a result of Order 66, when Anakin invades the Jedi Temple with an army of Clone Troopers, he enters the Council room to find a gaggle of said younglings hiding behind the seats. They see Anakin and emerge, asking “What should we do, Master Anakin?” The query’s met with a stone-cold Anakin firing up his lightsaber. The next time you see the kids, Yoda’s sifting through their corpses on the floor.
Yes, it’s just that dark – and rightfully so. This is the birth of Darth Vader we’re talking about. The only comic moments in the flick are given to R2D2, and while good, they’re all pretty few and far between; the order of the day is dark, dark, dark.
Ian McDiarmid and Ewan McGregor steal the show, but Hayden Christensen silences any naysayers who wrote him off as too whiney in “Clones”. This is the flick that feels closest to Episodes 4, 5, and 6, because – for the first time since “Return of the Jedi” – there is a clear villain. And for all the shadow-play Palpatine has been upto in the last two flicks, his treachery is about as subtle as John Williams’ score in “Sith.” Whether he’s slowly drawing Anakin toward the Dark Side during an opera/performance art piece with his promise of the Sith’s power of life over death, or he’s engaged in a balls-to-the-wall lightsaber duel in the Senate with Yoda, his “Little, green friend” (his words, not mine – which I kinda dug, because, interestingly, I think it’s the first time anyone’s acknowledged that Yoda is green in any of the “Star Wars” flicks), this is the Emperor’s movie.
The last fifteen minutes dovetail nicely into Episode 4 (or just plain “Star Wars” for you non-geeks), and the movie is full of link-up moments as well.
- At flick’s end, Threepio and Artoo are given to Captain Antilles (with the caveat that the Protocol’s memory be wiped).
- The twins, natch, are split up. Leia heads to Alderann with Bail Organa, and Obi Wan hands Luke over to Uncle Owen and Aunt Beru (indeed, the closing shot is Owen holding Luke while looking out over the setting suns of Tatooine – mimicking the shot of the adult Luke doing the same in “Star Wars”, complete with callback cue from Williams).
- After he succumbs to the Dark Side, Anakin tries to convine Padme that he can overthrow Palpatine, and together, he and Padme can rule the galaxy as husband and wife.
- Vader and the Emperor stand beside a younger Grand Moff Tarkin on the bridge of a Star Destroyer, overlooking the earliest construction stage of the Death Star.
- Yoda telling Obi Wan that, as he heads to Tatooine to hand over Luke and go into exile, that he should spend his time learning to commune with those who’ve crossed over to the next stage of life, as Yoda maintains he’s been doing with Qui Gon (and Ben will later do with both Luke and Yoda, in “Empire” and “Jedi”).
- And, hands-down, the best link-up to “Star Wars” moment that I enjoyed the most: Bail Organa and Yoda stepping into the hallway of the Rebel Blockade Runner that opened “Star Wars”. Unlike all the high-tech CGI wizardry of the rest of the prequel Trilogy, this is a low-tech looking set, right out of circa ’77, and for some reason, it really captured my imagination. I mean, this is the same exact hallway in which we got our first look at Vader, oh so many years ago, and I appreciated the hell out of Mr. Lucas including it – because it really felt like a nod to the hardcores.
Look, this is a movie I was genetically predisposed to love. I remember being eight years old, and reading in “Starlog” that Darth Vader became the half-man/half-machine he was following a duel with Ben Kenobi that climaxed with Vader falling into molten lava. Now, twenty six years later, I finally got to see that long-promised battled – and it lived up to any expectation I still held. I was sad to see the flick end, but happy to know it’s not the end of the “Star Wars” universe entirely (I’ve read stuff about a TV show…).
“Sith” doesn’t happen; “Sith” rules.
- Following the flick, we head home to relieve Chay of her charge who, for the first time in months, has opted to sleep in her own bed… alone. Jen and I chit-chat with Chay up in the living room, and I hug her goodbye, as she’s leaving in the morning to go to Toronto with Ben for the “Truth, Justice, and the American Way” shoot. I’ll miss her.
- Jen and I lock up the house and head to bed, where we fall asleep watching TiVo’ed “Simpsons” – six years down, a lifetime to go.